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  • Eva Illouz

    Explosive Moderne

  • Louis Möckel

    Sonic Footprints. Ecology of Technophony

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    Leben vor der Stadt – Einfamilienhäuser als…

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    Forum Stadt 3.2025 – Home Sweet Home

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    Das große Ziel: ein kleines Haus. Schöner Wohnen und das…

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    Sarah Robinson

    Architecture of Resonance. From Objects to Interactions

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    Schlüsselbegriffe gesellschaftlichen Zusammenhalts. Ein…

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    Nick Newman

    Protest Architecture. Structures of civil resistance

  • Bailey Bestul

    Reuse of Architectural Components

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    Florian Urban, Barnabas Calder

    Form Follows Fuel. 14 Buildings from Antiquity to the Oil…

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    Market Cafe Magazine Issue 9 Invisible Data

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    Diagrams. A Project by AMO/OMA

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    The Four Spent the Day Together

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    Nick Srnicek

    Silicon Empires. The Fight for the Future of AI

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    Ultrablack of Music. Volume 2

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    Christian Dehli, Andrea Grolimund (Eds.)

    Kazuo Shinohara. Residential Architecture

  • Sofia Lemos (Hg)

    Reluctant Gardener

  • Britt Müller, Winnes Rademächers

    Don't Sleep. The Graphic Language of Vinyl Labels

  • Judith Siegmund

    Künstlerisches Handeln in digitalen und postkolonialen…

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    Raketenbilder

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    EURO—VISION. Undergrounding the Critical Mineral

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    Granular Configurations. Sand, Materiality, and Planetary…

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    ARCH+ 262. African Spatial Thinking / Denkraum Afrika

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    Draw Love Build. Sauerbruch Hutton Tracing Modernities

  • Mark Griffiths

    Checkpoint 300. Colonial Space in Palestine

  • Katharina Weinstock

    Post-Readymade

  • Philip Ursprung

    Values and Surfaces. Art, Economy, Architecture

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    Raumpilot*in. Gendergerechter Städtebau. Handbuch für…

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    A Week On An Island With Trojan Horse. The Summer School…

  • IDEA Magazine

    Idea 412. Tomoyuki Arima: Design Evolving from Relationships

  • space for relational research (eds.):…

    Troubled! Architecture of Ruinous Landscapes

  • David Wojnarowicz

    Waterfront Journals

  • Heike Baranowsky

    At the Still Point

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    Wohnen fürs Wohnen. Schweizer Wohnbaugenossenschaften als…

  • Ayoung Kim

    Synthetic Storyteller

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    Magda Danysz

    Street Art. An Anthology

  • Karen van den Berg

    Große Kunst. Hyperwachstum in der Studiopraxis

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    Chris Hables Gray

    Virus is a Language. AI, QAnon, COVID-19 and the New…

  • Jan Schwochow

    InGraphics 2026 Edition

  • David Reinfurt

    A *Co-* Program for Graphic Design

  • Patrik Hübner

    The Generative Mind. A New Approach to Creative Thinking

  • Charlie Singer-Fischer

    Between the Lines. KI - schöne neue Zukunft?

  • Olivia Laing

    The Silver Book

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    Jacques Lacan

    Einige Überlegungen zum Ich. Some Reflections on the Ego

  • Rosetta S. Elkin

    Landscapes of Retreat

  • Peter Swinnen, Anne Judong (eds.)

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    How Modern. Biographies of Architecture in China 1949–1979

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    Marta Ceccarelli

    Postscriptum 53. Internet's Dark Forests: Subcultural…

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    Sophie Publig

    The Postscriptum 54: Swiping Right on God

  • Dave Randall

    Sound System. The Political Power of Music

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    Mikkel Bolt Rasmussen

    The Refusalist International. A Theory of the New Protest…

  • Esra Akcan

    Architecture and the Right to Heal. Resettler Nationalism…

  • Kerstin Decker (Autorin), Ute Müller-…

    Das Graue Kloster von Berlin. Biografie eines…

  • Okwui Enwezor, Terry Smith (Ed.)

    Okwui Enwezor. Selected Writings. Volume 2. Curating the…

  • Okwui Enwezor, Terry Smith (Ed.)

    Okwui Enwezor. Selected Writings. Volume 1. Toward a New…

  • Benedikt Boucsein, Elettra Carnelli,…

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  • Jeppe Ugelvig (Ed.)

    Viscose Journal 01. Style (Reprint)

  • Paul O'Neill

    Not Going It Alone: Collective Curatorial Curating

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    Heinz Isler. Built Experiments – Entrepreneurial Networks

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    Carolyn F. Strauss (ed.)

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    Geert Lovink

    Platform Brutality. Closing Down Internet Toxicity

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    Javier Mozas, Aurora Fernández Per

    Housing Loops. Opulence, Precarity, Dignity, Prosperity and…

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    Marijke Goeting & Maaike van Neck (…

    Algorithmic Imaginations. Critical Reflections on AI in Art…

  • Riccarda Cappeller

    Cooperative Architecture. Urban Transformation as Process,…

  • Michelle Teran, Marc Herbst, Vivian Sky…

    Promiscuous Infrastructures. Practising Care

  • Camille Belmin (Ed)

    Ecoslay – An Anthology

  • Meltdown Your Books

    Empires Over Skin. How we Fashioned our World

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    Claus Krieger

    111 Architekturbaukästen

  • Basile Baudez, Victoria Bergbauer (Hg.)

    Carceral Architecture

  • Cornelia Wild (Hrsg.), Pier Paolo…

    Dialoge mit Pasolini

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    Charlotte Laubard

    Manifestes 8. Changing Art from the Outside in

  • Philippe Rahm

    Manifestes 6. The Anthropocene Style

  • Iracema Dulley, Marlon Miguel (eds.)

    Stella do Patrocínio. Falatório/Chatter

  • Christoph Ramisch (ed.)

    Daidalos 24-25

  • Mick Wilson

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  • Bjørn Hegardt (Ed.)

    FUKT #23 – The Sound Issue

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    Lisa Yin Han

    Deepwater Alchemy. Extractive Mediation and the Taming of…

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  • Marina Vinnik

    Objekt-Orientiertes Bauhaus. Object-Oriented Bauhaus

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    Housing Under Platform Capitalism. The Contentious…

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    Alexander Alberro

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    Environments of Planetary Urbanization

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    Simon Unwin

    What Student Architects Should Do

  • Amy Ireland, Maya B. Kronic

    Cuter Akzelerationismus

  • Elbe Trakal (Hg.)

    Zwischen Tätigkeiten Berichte

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    On Behalf of the Environment. Pedagogies of Unrest. Bauhaus…

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    Aaron Betsky

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  • Catherine Bedard, Lea-Catherine Szacka

    Crossed Histories: Gae Aulenti, Ada Louise Huxtable,…

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3
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