Archivio Magazine N°11. The Tech Issue

A mapping of the international landscape of technological archives.

Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge.

The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at Promemoria Group, the magazine's publisher. Daniela Hamaui oversees editorial direction, while Alessandro Gori shapes the art direction. The cover, designed by artist Ailadi, pays tribute to the early aesthetics of the digital age. Created using PETSCII, the character set of Commodore 8-bit computers, it evokes the visual language of technology in its formative years. Archivio N°11 maps the international landscape of technology archives, tracing the roots of the digital revolution and exploring the places where our technological past is preserved, along with the collectors and institutions that recognized its cultural value. The issue is structured in three sections 'Stories, Institutions, Collectors & Collectives' and includes a special poster: an (in)complete mapping of Italy's technology archives, researched by Promemoria Group and visually interpreted by Accurat.

Archivio magazine is an innovative semestrial publishing project which focuses exclusively on the archive's culture and reality. It is the first time that a publishing venture is born out of the need to enhance this huge heritage. Every issue is constructed around a theme, but in a loose way, browsing from art to fashion, culture, sport, design, cinema, science, photography… No barriers. The edition is exclusively built with archive's documents, mostly unpublished and each issue involves most relevant archives from all over the world. Each time through a high quality selection of documents, pictures and exclusive contents, Archivio's aim is to rebuild the contemporary culture opening up the heritage and richness of the archive's world, by using our ability to watch everything from a contemporary point of view, because what archives can teach us is how memory becomes future.